Monday 17 July 2017

Marvellous Stories: A review of 'A girl swallowed by a tree: Lotha Naga Tales Retold'


Author: Nzanmongi Jasmine Patton
Publisher: Adivaani, Kolkota, India
ISBN: 978-93-84465-08-7
Month/Year of publication: April, 2017
Pages: 211

One of the first impressions about the book A girl swallowed by a tree by Nzanmongi Jasmine Patton is the title. Though I've come across two retellings of the same story, this narrative appeals differently to the reader because narrator-facilitator powerfully uses her imagination while retelling the story. And that, I think, is one of the strengths of book. Often we come across folktales being told in short and simple manner, and they too work magic that way. But a more elaborate narratology also adds another level of information which is essential because folklore is a primary derivative of history in the oral society. However, I shall not digress further into that discourse as Jasmine has given an excellent introduction to the book on the same. I leave that for critical academic engagement and discussions.

The thirty folktales makes an interesting collection! The range of themes the narrator-facilitator has chosen tells a lot about the wide significance of these tales. The origin stories form an important component in folktales as they, in a way, explains the cosmology of the people. Thus, from the story of “The Story of the Sun and the Moon” to “The Duel between Wind and Fire” to “How Chilli was discovered” to “The Legend of how Men became Monkeys” we are enlightened of the different narratives which work its way in the establishment of a worldview. From the stories of “Arilao”, “Ranphan, the Brave”, “Rapvuthung and the Tsungrhamvu”, and “The Tiyilong Legends” we see heroes and legends of the people that continues to find resonance even today because they form an important phase in the people’s memory. In “Humchupvuli Eloe”, “The Emi and the Forty Young Men”, “Sheriithii Friends”, “The Sterile Wife”, etc. we see the dynamics of human relations and lessons on how a cordial relation or a deviation from it can have their own consequences on the individuals and the society, at large. The interface between the worlds of human and the supernatural is well exemplified in “The Man who travelled to Echu Li”, “The Strange Marriage between a Woman and a Momon”, “The Tale of the Fortunate Sister”, “The Tiger Bridegroom and the Human Bride”, etc. Also, the few animal stories like “The Crab’s Sideways-Tilted Walk”, “The Erstwhile Friendship between the Sepvu and the Otum”, etc. and trickster stories like “Apvuho and Mesa: Four Mini-Tales”, “Apvuho and the Emi”, etc. are not just fun reading but helps us to draw anecdotes on life.

In retelling these stories, Jasmine is also helping her own people, the Lothas, or Kyongs as they call themselves, unearth treasures which have long been neglected or overlooked. She even underlined that the need to revive and restore the “invaluable treasured legacy” of storytelling which is slowly “dying” due to non-performance is at the core of her zeal to undertake the translation project. I think this zeal should be cultivated by other Naga scholars too. Oral tradition, by virtue of being dependent on memorialization and passing it down from generation to generation, is heavily reliant on the older members of the society who have knowledge of the stories and songs. To that extend, Jasmine went on to say, “Our old storytellers are our tradition-carriers, who with their deaths are incinerating the living libraries of a community.” Hence, what this generation needs is the passion to undertake field works to record, archive and translate these stories with the effort to pass on the legacy of storytelling.

I’ve mentioned elsewhere and now mention again that one of the drawbacks for young Nagas not being able to derive an importance in their own culture and tradition is because the modern education system does not have an aspect of our own oral tradition. A huge difference could have been made had some of our own stories made headway into the curriculum early on. How wonderful it would have been if our own folktales were read alongside Aesops Fables, Jataka Tales and other fascinating tales! I’m sure a lot of my attitude would have changed to the stories I’ve heard as a young boy from my grandmother. We could hear the same stories over and over again in the evenings sitting around the fireplace. We knew the stories, but we could still listen with the same awe of listening to it for the first time. But then, school happened. Somehow, we never read about those stories anymore. Though the holidays would give us chance to listen to the storyteller, somehow other things drew us away from sitting around the fireplace and listen to stories.

I don’t mean to rue over things undone. Nevertheless, we can still make up for the loss if we introduce these stories into the school curriculum for the generations to come. By now, we already have ample selections to choose from, besides Jasmine’s book. This generation only needs the will to do. The wonderful thing about folktales is that it leaves space for improvisation. In most cases, as I mentioned above, we’ve seen a plain narration of the tales. But in this book, A girl swallowed by a tree, we see a bit more than that. There is creativity employed to expand the imagination while retelling. Many of our stories have powerful storyline and intriguing sub-plots, and they can be developed into fictions or other genres. What we lack is the belief in its possibility. I am a believer in that. Are you? People are going places in search of stories, and we have right in front of us! Think about it.

One of the things that many Nagas will also find while reading this book is a sense of familiarity with many of the stories. Interestingly enough, we have many shared stories. Or variants of them. This, I think, tells a lot about our own commonness. Often, different communities within the Naga fold are left to battle out things as though we have nothing to do with each other. Perhaps, we have even gone to the extent of saying ‘that is our story’, ‘this is our song’, etc. But, rather than joining the chorus of ‘owning’ stories we should celebrate in the ‘sharedness’. Our stories and songs can be a pointer to our commonness. Let them bind us together. Enjoy reading this collection of marvellous stories!

Published in Morung Express, 30 June, 2017. http://morungexpress.com/marvellous-stories/ 

Monday 2 January 2017

An Allegory of Love and Hope: A Review of Son of the Thundercloud

Author: Easterine Kire
Publisher: Speaking Tiger Books
Month/Year of publication: December, 2016
Pages: 149
Price: 350/-

The latest novella from Easterine Kire titled Son of the Thundercloud is a fascinating read right from the start. I read it just before Christmas, and I could immediately see it as an allegory of the biblical story. Coming up fresh from winning the Hindu Prize 2015 for When the River Sleeps there is certain anticipation from the readers. And Easterine didn't fail to awe them! There is an interesting thematic connection between the two fictions as they both are closely sourced from the time tested legends that continue to wield its influence in the present imagination of the Naga world.

The plot of the novel is a straight forward narrative of a man, Pele, who left his village after severe famine took his wife and children away. He became a traveller to the unknown, partly to escape the distraught of the pain and loss, partly to escape death, but not sure if he would survive the journey. His path led him to a drought affected “abandoned village” where he met two sisters who were several hundred years old and had been living on “hope”. They told him of their wait for a prophesy, the birth of the Son of the Thundercloud, which would regenerate the land to its fruitfulness once again. While there with the ancient sisters the rains came extraordinarily. Shortly, he travels with them to the Village of the Weavers, where the third sister, known to others as the tiger-widow for her husband and seven sons were killed by the tiger, has been impregnated by a “single drop of rain” that fell from the thundercloud. Pele continues to stay on as the guardian of Rhalie, the Son of the Thundercloud. True to the prophesy Rhalie kills the tiger, but also dies in the hand of his friend who became envious of him.

It is interesting to discover how Easterine seamlessly weaves the biblical narrative of the virgin birth of Jesus Christ with a Naga creation story. Any Naga reader would be able to decipher that the birth of the Son of the Thundercloud is closely drawn from the oral story of the primal woman who was overcome by a cloud and gave birth to the proverbial three brothers. As a myth it is told with latent meaning to explain how things came into being and its relevance in understanding of the world around us. And in the Naga cosmology even today there is a close proximity between the worlds of the animal, spirit and man. In fact, they continue to interface, though not in a friendly way as it used to be. Things have become more violent. This is where Son of the Thundercloud has a lesson for us.

Metaphorically, the story of Pele is the story of mankind in search of a meaning in life. The two sisters of several hundred years old in the famine struck village of seven hundred years stood for mankind's wait for a saviour to reverse the tragedy. The prophesy has it that “... the great hope of the ancestors who used to say that our ancient misfortune will end when the Son of the Thundercloud is born. Everything will be transformed then” (p. 19). Their watch over the stars every night for the sign of the promised birth reminds us of the Magi who followed the stars to pay homage to baby Jesus. The birth of the Son of the Thundercloud was shrouded in suspicion and distrust from the people of the village, much like the people during Jesus' time was steeped in disbelief. The birth of Rhalie restored the land to prosperity but the people refused to believe the signs. On the contrary, his own friend Viphrü grew jealous especially after he killed the tiger.

Interestingly, the tiger is “no ordinary being”, it is spirit tiger that cannot be killed with “worldly weapon”. The “well-tempered spear” that the two sisters kept for Rhalie was the only potential weapon to kill the tiger. By its sheer power to incite fear the tiger has influenced people to make sacrifices to it. In essence, the tiger is the embodiment of the evil that has dominated the imagination of the people. This again, echoes how the Bible warns that the battle against the devil is a spiritual warfare which has to be principally fought in the spiritual realms. Rhalie was able to kill the tiger because he has no “pride” and his “heart was pure”. Just as his name mean “the redeemer”, his killing of the predator brought relief to the people. His mother, Mesanuo exclaimed, “what joy you have brought to all of us!” But men loved darkness instead.

The arrival of Son of the Thundercloud is quite timely. Christmas is the time of celebrating love, peace, hope and joy. It is a reminder of how God loved the world dearly that He sent His only Son to redeem it. Easterine's story reveals the shortcomings in human beings and their inability to change the reality. Only a divine intervention can reverse the tragedy. And while that message is being powerfully told, the novella is also beautifully woven together with many endearing wisdoms of cultural specificities. The generational transmission of knowledge is shown time and again in the older ones' conscious teaching of the young Rhalie. The people's need to preserve and protect God given natural resources for a sustainable future are asserted through the various conversations. And one of the most enduring picture is the 'hope' of meeting the departed loved ones in the afterlife.

First published in Eastern Mirror, December 27, 2016
http://www.easternmirrornagaland.com/an-allegory-of-love-and-hope-a-review-of-son-of-the-thundercloud/
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